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Susan Stanford Friedman on Make It the Same

With its revisionist echoes of Pound’s “make it new,” Make It the Same is theoretically generative for thinking about modernist, contemporary, and world literature. Edmond powerfully demonstrates how the new media of repetition have generated a poetics of the same, a “copy poetry” that remixes prior poetries in global trajectories outside Eurocentric, center/periphery literary studies. …

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Make It the Same Again: Rethinking the Past and Future of Conceptual Writing

This Friday in Wellington I am speaking on rethinking the pasts and futures of conceptual writing and art as part of a symposium on conceptual writing organized by Anna Jackson and Emma Fenton. I’m looking forward to learning from an exciting group of speakers, including Ruth Buchanan, Malcolm Doidge, and Antonia Barnett McIntosh. The symposium …

Never too big to teach—or learn

I learn new things from my students all the time. I learn through reading their essays on topics such as One Direction fan fiction, or online trans poetry networks. But I also learn by developing new approaches to teaching. Chapter 1 of Make It the Same, for instance, would never have been written if I …

Make It the Same: Poetry in the Age of Global Media

I am delighted to announce that my new book, Make It the Same: Poetry in the Age of Global Media, is due out from Columbia University Press in June of this year. A brief blurb appears below. For further details, see the chapter-by-chapter contents description. For  advance orders, try the Columbia University Press page or …